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Who’s Speaking? Italics In Bilingual Poetry, by Steven Sanchez

I’m not bilingual but sometimes Spanish enters my poems. Since most people are (probably) familiar with the arguments for and against using italics, I’ll just give a basic description of them: some...

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Tahoma Literary Review Reading at Elliott Bay Books on Thursday

Just a brief reminder that Tahoma Literary Review will hold a reading by some of its contributors from the local area at Seattle’s favorite bookstore, Elliott Bay Books, on Thursday, July 23, at 7:00...

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On Writing about Race in Fiction, by Miles White

“Race” is a euphemism Americans use to describe a very ugly aspect of the American character—we tend to not like each other because of differences in skin color. It’s more complex than that of course....

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TLR Volume 2, Number 2 is Live!

Tahoma Literary Review issue 4 (Volume 2, Number 2) is now live. We’ve come out a few days earlier than anticipated in order to coincide with our reading tonight (July 23, 7 pm) at Seattle’s Elliott...

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Ekphrasis: How a Response to Art Can Inspire Writing, by Stacey Balkun

Loosely defined, ekphrasis is “art in response to art.” The word “ekphrasis” comes from the Greek: “Ek” meaning “out” and “phrazein” meaning “to speak.” For me, surrealist paintings work as a trigger...

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A Few Tips for Writing on a Common Theme

As any journal editor or creative writing teacher will tell you, there are certain short story themes that have become so popular with writers that the sheer number of them makes it difficult for any...

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Flash v Short Story: Length is Not the Only Difference

Most fiction writers understand that the major difference between a short story and flash fiction is the length of the piece. Some publishers make the distinction at 500 words, others at 1,000 or...

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A Feathered Metaphor, by Karen Skolfield

Walking the sanctuary at sundown, on Whidbey Island, I spot a man quietly standing, watching the estuary. Binoculars, long-lensed camera. I whisper my way to him: “Otters?” I ask hopefully. “No, bald...

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A Title Worthy of the Poem Itself

As an editor, I read a lot of poems. I mean a lot. On a typical day, I vet about 30 poems for TLR. On a day near the end of a submission cycle, I may read about 100 at a time. Reading at this volume...

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No More Hot Potatoes: A New Approach to Writing Contests by Kathy Anderson

I used to treat writing contests like I was holding a hot potato. QUICK—fling the manuscript at them before I lost my nerve. Entering writing contests was a challenge I gave myself as a writer, but the...

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TLR’s Feedback Option: Bridging the Writer / Editor Divide

We’re three months into TLR’s free Feedback Option for fiction and flash fiction, where if a submitter chooses, I offer my editorial opinion about the story. I’m happy to report I’ve received no hate...

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Feedback Option Expanded to Include Nonfiction; and There’s More…

The Feedback Option We editors at TLR like to think we do a lot for the writers who submit their work to us. But we’re always looking to do a little bit more. We’ve been following the progress of our...

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Using the Epistolary Form in Nonfiction

I’ve just come off teaching a workshop for the wonderful Inlandia Institute. One of the things we covered over our three sessions together is the use of the epistolary form in nonfiction. It’s a sticky...

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The Beautiful Art of Synesthesia, by John Brantingham

Imagine two shapes drawn on paper. One is sharp, made of spikes coming out of a central core, and none of those spikes are the same length as any of the others, so there is no uniformity of shape. The...

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Slush: What Reading It is Like on the Other Side of the Editorial Wall, by...

A few years back, I worked at a magazine, a literary magazine, a major literary magazine, reading the slush. People the world over submitted their short stories, and it was my job to read them. I...

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Forming a writing squad: How can DIY & low-residency MFAs build writing...

Writers need friends for lots of reasons: to cheer against rejections and celebrate soft declines (very hard to explain to non-writers!); to hoot and holler over acceptances; to help keep focused on...

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Nature Writing, Undefined, by Allison Linville

I really started writing poetry at a fire lookout. I’d written before, but it was there that I learned the working aspect of writing; setting a time, adding free writes, reading more, editing better....

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The Egg in the Locker: A Flash Manifesto on Revision, by Michael Schmeltzer

In middle school we were told to carry an egg with us everywhere we went as if it were our baby. We were to keep a journal, to tally the times we fed it, bathed it. We were meant to set our alarms in...

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On ‘Spiderman Hitches a Ride’ by José Angel Araguz

Publisher’s note: José Angel Araguz’s ‘Spiderman Hitches a Ride’ will appear in TLR issue 5, due out December 1. This piece is part of a forthcoming collection, Everything We Think We Hear (Floricanto...

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Tasha Cotter Interviews Kimberly Miller, President of the Kentucky Women...

At TLR, we love the fact that our writers are also active participants in building literary community. This week, we bring you a conversation between Issue 4’s Tasha Cotter and Kimberly Miller, the new...

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